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Alberto Moravia Publisher Book Unilibro. "the ambitions mistaken", according to novel of Moravia, reassume in s?e thematic characteristics of all the successive work of the roman writer: on one side the rich bourgeoisie of Rome, from the other figures marked from moral atony, snobismo, lowland avidit?i money, flat sensualit?"Gli years Forty are, for many backs, one of the periods pi?icchi of. The expression not only goes understanding in pure quantitative sense (constantly high the moraviani rhythms of writing permangono), even if, gi?a this point of view, the five novels ("the masked one", "Augustin", "the Roman", "the disobedience", "the love conjugates them") and the numerous storys testify, with their same size, of one generosit?reativa probably without par in our equal 1900's above all where are watched, then, to qualit?elle the works. "Today, rileggendo this per diem, me it seems of riascoltare the voice, sour of Alberto once again, me it seems to pick of the sure secret dolcezza. that also for who it has not never felt its voice, this per diem one has today a sound and speaks to the ear with the seduzione of a song from the melodia extended, in which the rhythms of one intelligence leonina forgiveness in deserts. Published in 1941 and ready seized from the fascist regimen, "the masked one", whose protagonist?n dictator?no of the novels pi?uno novellistic all action, express and locked style, rests on a political weft in which the vicissitudes of the love of general Tereso Arango and Fausta and other history of rivalit are interlaced? power. a travel in Mexico, "the masked one" is taken advantage of a scene from Latin America, but it expresses all ambiguit?i an age in which the political perspectives they were asserted in the dictatorships of Mussolini, Hitler, Stalin or in the imperialist democracies and colonialiste French and English. In "History of the preistoria", Moravia narrates the adventures and disavventure of certainties usurate from the time, proposes flat, effective, pi?pesso esilaranti, for one winning reading and an independent interpretation and. This volume contains great part of storys written from Moravia between the 1927, to the years in which Moravia 1929 worked to its first novel "indifferent" () and denote the expressive maturit?ecnica and of the author. Sessantanove "new" dispersed storys of Moravia on newspapers, reviews. scanditi in three make - those that from the debuts they graze the explosion of the war, therefore the storys that design "types", "characters" in the balance between classicit? surrealism, finally. The Moravia essayist encloses in this book the best of its production. Machiavelli, Boccaccio, Pavian, Maupassant, all a series of expresses you meet and extended, of riletture or new experiences, until to celebre the test on Manzoni and the hypothesis of a catholic realism that imposed one opportunely new angolatura in the reading of the ' Sposi'. Promises rilettura it clears also the aspects pi?scuri of the text, making some to risaltare with clarity new aspects and unknown faces. Thirty women who speak about if same, thirty storys that they once again testify the engagement ' femminista' of Alberto Moravia, a engagement that has carried to construct it a series of ritratti of unforgettable women, where social condition and feminine condition never appear pi?he connected in one. ' Boh' - than?nche the title it of one of storys - becomes the expression of one here perplessit?he the woman cesser?ai not to inspire to the just similar one, ironico issolution of one drammaturgia consumed in centuries of subjection and incomprehension. "a new novel to above all put in library perch?n a library that you respect a classic of the 1900's as Moravia must be. "the travel to Rome?n novel of initiation, initiation to the maturit?o of liberation from the neurotic turbulence of the adolescence. "an audacious novel where the road of the?barrata incesto above all from the tomba of the mother. a novel continuously in the balance between the dark threshold of the memory and conflicting lightning bolts of the present. Desideria, young person, beautiful and pitiless, adoptive daughter of Viola, richest and corrupt, confess al narrative, than it chases it and it induces it to an extreme clarity, a rebellion life alla own family, alla own class, alla same societ?he has generated it. Push from the inner Voice, from the revolt spirit, does not hesitate of forehead to the prostituzione, the orgia, the weft of a seizure, a holdup, the incesto. of Moravia: seven years of job, seven drawings up, a disturbing one ritratto of the bourgeoisie omicida and kills for hatred to if same and the life. The book?l reportage of a travel made from Moravia in the ' 61 in company of Pasolini and the moglie Elsa Morante. Moravia to offer an image alive and outside from the ordinary of a country that laboriously, between thousand contradictions, approached a modern one I redeem. Those that it counts is not as well as the paesistiche notations and of color, by now topical, how much the smascheramento of the causes of the false opulenza and the tragic indigence of the country religious conceptions like the brahamanesimo, the buddismo and the jainismo, does not make that to complete this desolate social picture. E' the history of a man who tries al same time of being good husband and good writer, ending with failing both objects to it to you: the erotico-sentimentale failure on one side and the literary failure from the other. Protagonist?no writer of scenarios whose relationships with the moglie are illuminated and complicated to contact with the world of the cinematographic production, the career and the positive happened one, a fedelt?atrimoniale case, in order to clear of all the illusion nature, of real deep defeat and, modern contradiction. ' disprezzo' that the problematic one centers them of Moravia finds its summa pi?recisa and complex, nearly one unitary encyclopedia of its varied one. "the winter nuclear"?na collection of interviews, articles and tests written metaphysical character, and with the interviews to various personalit?Moravia not ago ' of the journalism on the bomb atomica', but fight with own means against. "When ' Entr?arla' in the Italian novel, when the Moravia young person, to sixteen years little pi?in clinical of Bressanone, taken to write that tragedy in novel shape that would have become" the indifferent ones ", knew least of ci?he it would have written and it knew still less how much would have. In this cofanetto the works of Moravia are collections that go from 1927 to 1940, and in particular: The indifferent ones, the beautiful life, the mistaken ambitions, the cheat, the dispersed dreams of the lazy one, Storys. Black Africa of Alberto Moravia: "sended special" of the Courier of the Evening between 1975 and 1981, the exceptional reporter annotates impressions, reports to uses and customs, she describes places and landscapes reason of literary, aesthetic appraisal and reflection meet to you in a riscoperta travel that?nsieme. Cos?a gone back in boat of the Zaire river becomes reply of the pages pi?ntense of the novel African of Joseph Conrad "Heart of darkness". the raw tropical light of the Ivory Coast reflects the contemplativo dream of Gaugin. the image of died of the desert is transformed, passing through desperation and mirage, in amazing image of life. The daily existence slides repetitive and habitual for Dodo, beautiful a man on the 35 years, former sessantottino, for its father, a old "university baron", for Silvia, moglie of Dodo, ambiguous and escaping sensualit?Sulla they life, on their complexes, passes to the careful and impietoso look of Dodo that before watching actor of if same intellectual to observe in order to know, spy Dodo ci?he happens with the icy look of the scientist who follows the transformations of the matter. "indifferent" Cos?uesto of years ' 80, obsessed from the nuclear, besieged from the Eros and its perversions, observes realt?on the separation, selecting ci?he it happens with the mind and refusing it with the feelings. Federico?n intellectual velleitario, a scripteriter whom he wants to become. Its personalit?isulta strongly scissa: if I he is to watch, "it" acts: the unconscious one speaks, the sex has a voice that orders and imposes turns out a esilarante course, full of unexpected inventions: in the crowds vicissitude of this lacked director, in the constant dialogue between the coatto protagonist, its overbearing sex and cultural its rimorso (subliming or), the nevrosi, interpreted in comic or tragicomica key, not. Buy books online Buy dvd online cd movie